Kristen just received her Graduate Degree in Art Therapy. During her 3rd year at school, a mentor and class instructor of hers was diagnosed with cancer, and passed after a short and difficult battle. Her instructor, Carol, along with her grandfather, were both very important influences in her life at different stages, and having completed a huge goal in her life, wanted to recognize, and pay tribute to the path that has brought her to where she is now:
I wanted to combine different visual elements with the look of this tattoo. The geometric solidity of the labyrinth, mixed with loose watercolor treatment to the poppies. Something stationary, with lots of movement in and around it. Hard lines, and soft bleeds.
I myself was present in her struggles through grad school, and lost touch when Carol was dying. I'd carried guilt about that for a long time, and getting to design and execute this tattoo for Kristen was a healing process for myself as well.
Here's a portion of the email Kristen originally sent me regarding the Poppies, and Cretan Labyrinth in her tattoo idea:
"These two things came to me in a dream, separately and then together over a long period of time. It took me forever to try and figure out the connection between the two. I knew where the labyrinth came from but I couldn't figure out the poppies. The only time I'd ever seen them was when I went to England as a little girl and they were surrounding my Grandpa's house. I guess I've always associated them with him. So I did some research and turns out that poppies symbolize a lot of stuff, most commonly death. Not in a morbid creepy sort of way, but in a more ceremonial way. Poppy's are commonly placed during funerals and burials, at least they were a long time ago. They symbolize death and sleep but interestingly enough they also have been associated as a symbol of healing. The contrast of these two things and the eeriness of my unconscious connections made in my dreams was a bit too much to ignore. Without knowing anything about the symbology of poppies, my dreams brought them to me in an almost synchronistic way. How appropriate is it that it represents both mourning (for Carol) as well as healing (art therapy). It makes that whole concept of the "collective unconscious" brought up by Jung a little too hard to shut down. Given that most of my work lately has been so focused on my dreams it seems appropriate. ...The Cretan labyrinth was on a necklace Carol wore everyday and was buried with. I remember seeing that around her neck at the viewing and feeling a chill. It was the only thing that made it feel like it was her. Another element that I have always associated with art therapy is wind and movement. This may sound pretty strange but we did so much work with breathing and body movement that I can't think about art therapy without taking a deep breath. ...Okay, so that's a lot of information but again, I don't want to put too many restrictions on this. If there was ever a person who knew me and this experience well enough to do this tattoo it would be you. I really trust in your process and I'm sure it will blow my mind. I'm open to whatever you've got."
Got it. :)
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